From Medievalists.net comes this article, an excerpt of a Masters Thesis from the U. of Iceland on the Norse Berserker, a Viking warrior without peer for his ferocity.
The chieftain of the Norse Greenland settlers, Halfdan Ingolfsson, prominently featured in my Axe of Iron series of historical fiction books is known as a berserker.
For those with an interest in this topic of the Norse Berserker I encourage you to click the link at the end of this excerpt to read the full paper on the site of the University of Iceland. It is interesting, well done, and contains material never before seen on the subject. (Ed.)
|Norse Berserker, The Viking, Howard La Fay, National Geographic Society, 1972|
***JANUARY 23, 2016 BY MEDIEVALISTS.NET
Berserk for berserkir: Introducing Combat Trauma to the Compendium of Theories on the Norse Berserker
By Lily Florence Lowell Geraty
Master’s Thesis, University of Iceland: Háskóli Íslands, 2015
|Photo by Jakub T. Jankiewicz / Flickr|
Introduction: This paper will present a general overview of the existing English-language scholarship surrounding an old Scandinavian puzzle, a the subject of debate for many many years: the berserker. Berserkers appear all over the place in the medieval Scandinavian literature, and are best recognized as the animalistic warriors who would fly into great, murderous rages. Berserkers have been a subject of scholarly discussion for centuries and a few stable lines of thinking have developed and remained fairly well in play, for instance: the idea that the berserker was somehow responding to the effects of an ingested substance, a hallucinogenic mushroom in particular; the idea that they were ritualistic or cultic figures, involved in some sort of warrior band or cult; the change and implementation of the berserker in the sagas as an antagonistic figure; and, of course, a debate over exactly what “berserk” (berserkr/-ir in Old Icelandic) meant in the first place.
In presenting some of the basic English scholarship surrounding this figure, I hope to demonstrate the inadequacy of these previous theories to explain the berserker as a whole, including the appearance of the berserker in other cultures, to make room for another theory on the berserker which has arisen outside the field of Scandinavian studies: combat trauma and battle madness. It is outside the scope of the current project to provide anything more than a survey of the previous scholarly literature and a light introduction to the idea of combat trauma. The berserker is a figure which exists at the crossroads of many complicated and often conflicting ideas, and straying off the path here, no matter how well-intended, will get one very off-track very quickly, and if there were any easy answers on the berserker, we would not be here now. I will also keep primary source citations to a minimum: the sheer number of primary source examples makes any kind of comprehensive inclusion a massive project, and the main focus here is really the theories themselves.
Click here to read this thesis from the University of Iceland